10 Best Studio Monitor Headphones For Mixing 2025 in the United States

The OneOdio Wired Over Ear Headphones are designed with both comfort and sound quality in mind, making them suitable for mixing and mastering tasks. One of their standout features is the large 50mm drivers that deliver a solid frequency response ranging from 20 Hz to 40 kHz. This broad range helps in reproducing powerful bass, clear vocals, and detailed highs, which are essential for accurate audio mixing. The headphones also boast an impedance of 32 Ohm, making them versatile for use with various audio devices, from laptops to DJ mixers.

Comfort is another strong point, with soft, padded ear cushions and an adjustable headband that allows for long listening sessions without discomfort. The 90° swiveling ear cups enable single-ear monitoring, which is particularly useful for DJs and sound engineers who need to stay aware of their environment.

These headphones excel in comfort and sound quality for those who mix audio, though the wired limitation and closed-back design might not be ideal for every user. They're a solid choice for those in the studio or on stage, especially with the added benefit of a shared audio port to connect with another pair.

The OneOdio A70 headphones offer a variety of features appealing to those needing studio monitor headphones for mixing, especially at a budget-friendly price. They have a wide frequency response up to 40 kHz, exceeding the typical human hearing range and suggesting detailed audio reproduction. Their 32-ohm impedance is low enough to work easily with many devices, including laptops and audio interfaces, without requiring extra amplification. The 40mm neodymium drivers deliver strong bass and clear sound, helping users hear all parts of a mix clearly.

These headphones feature a closed-back design, which helps with noise isolation and prevents sound leakage, useful in noisy environments or shared spaces. Comfort-wise, they include over-ear cotton ear pads that provide reasonable comfort for longer sessions. While the build is mostly plastic with some metal parts, making them lightweight, this may result in less durability compared to pricier models. A notable feature is the dual wired and wireless modes with a long 72-hour battery life in Bluetooth mode, although wireless usage is less common for mixing due to potential latency and sound quality limitations. The included cables and jack lock system ensure stable wired connections, essential for critical listening.

While these headphones offer good isolation, their sound signature may slightly emphasize bass due to their DJ-focused design, which might not be perfectly flat for professional mixing. The fit and finish are decent but do not match the comfort and refinement of high-end studio headphones. These headphones are well-suited for beginner to intermediate users or those needing versatile, budget-friendly headphones for mixing or casual studio use, while serious professionals might prefer more specialized, neutral-sounding options.

The Audio-Technica ATH-M50x headphones are a popular choice for anyone involved in studio mixing, thanks to their impressive performance and comfort features. Their 45mm large aperture drivers deliver a clear and detailed sound, making them ideal for critical listening and mixing tasks. The headphones excel in frequency response, providing deep bass and an extended range that many audio professionals appreciate. The circumaural design ensures that they fit snugly around your ears, effectively isolating sound in noisy environments, which is a big plus for mixing sessions.

Comfort-wise, the ATH-M50x boasts professional-grade earpads and a sturdy headband that enhance durability and comfort during long mixing sessions. The 90-degree swiveling earcups are also a handy feature, allowing easy one-ear monitoring—a common requirement for studio work.

While the headphones are mainly designed for studio use, their closed-back design might not be ideal for everyone. Some users might prefer open-back headphones for a more natural soundstage, especially when mixing genres that benefit from this. Additionally, while the impedance of 38 Ohm is suitable for studio gear, it may not perform as well with lower-end devices, such as smartphones, which could lead to less optimal sound quality.